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A remake of Robocop , frankly, was it a good idea? Paul Verhoeven is a filmmaker so diehard that any attempt of commercial redevelopment of his work usually results in an embarrassing failure, as evidenced by Robocop 3 , the series Robocop , the sequel to Basic Instinct or the remake of Total Recall.Irvin Kershner has only managed to pay tribute to the work of Dutch violent with Robocop 2 more extreme than its model.
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José Padilha would he reproduce such a miracle?Despite a filmography previously engaged and little consensus, the Brazilian filmmaker sees here forced into the standards of a blockbuster $ 100 million classified PG-13. The gore excess of the first Robocop is thus evaporated. Forget the showers of blood and body liquefaction. The purpose is it watered down so much? Not really. Radical in her portrayal of a self-centered American society, cynical in his description of the security paranoia of the U.S. government, this new Robocop is a highly politicized film. Who would have thought? The prologue takes us to the heart of a peacekeeping operation in Tehran. A robotic arsenal walks the streets and control the identities of a docile population until explodes a powerful violence as it is realistic.
Carrying the problems of initial film in the military field, Padilha and screenwriter Joshua Zetumer therefore push the reference to Verhoeven to reclaim the discourse of Starship Troopers .The sequel shows in outline the plot of the first Robocop , but never reach the same intensity, let's face it. ED 209,(Download RoboCop) the robot star of 1987, is no longer an iconic character but a simple obstacle that multiplies the film and depersonalized in the hope a little vain to multiply the impact of action scenes featuring him. The dreaded gangster formerly played by Kurtwood Smith here gives way to a mafia without charisma whose actions often leave us indifferent. But the real strengths of this Robocop vintage 2014 live elsewhere, in many sequences with no basis for comparison with the classic Verhoeven to extend its premium on other levels of narration.
At the head of the multinational OmniCorp having the monopoly of the robotics industry on American soil, the character of Raymond Sellars played by Michael Keaton perfectly symbolizes the aberrations of a partnership mindless consumption blows marketing offensive operations .In this respect,(Download RoboCop) the scenario offers vertiginous mise en abyme, marketing meetings OmniCorp probably reflecting those frames MGM and Columbia. "People do not know what they want, think in their place" Sellars says in its promotional material, when it is decided to blacken the Robocop armor. In the role of Dr. Dennett Norton, architect of the resurrection of Alex Murphy, Gary Oldman provides another dimension to the story, the symbiotic relationship it establishes with its "creature" is not reminiscent of Dr. Frankenstein syndrome.
As for Samuel L. Jackson, if histrionic as a devil, it is better to ridicule the senseless power of the media in the country of Uncle Sam Sure, this Robocop is not perfect and not worth his illustrious model. But new emotions it conveys and its bold bias richly deserve some attention.Police officer Alex Murphy suffers horrific injuries in an explosion and is rebuilt and part-robot,(Download RoboCop) part-man in a bid to combat growing levels of crime in Detroit. But RoboCop is haunted by his own past and the corruption of the system that has created him. Hollywood scriptwriting is evidently in such an awful state that executives are merrily remaking action films many of us can remember from the first time around. Sometimes it works, sometimes it doesn’t: the Total Recall remake was a worthless exercise, while Dredd just about got away with it (primarily because the original was dire).
There are so many different Super- and Spider-Men nowadays it’s like one of those episodes of Doctor Who with multiple Doctors that makes you yearn for the simplicity of Midsomer Murders. The original RoboCop was released in 1987 and did well. Sadly, this new version barely tweaks the original story,(Download RoboCop) removes most of the action sequences, adds emotion in place of explosions and only scrapes by on the back of its stoical cast.There is corruption within the Detroit police department, and only Alex Murphy (Joel Kinnaman) and Jack Lewis (Michael K. Williams) seem to be holding out for honour and justice. When the pair cross the wrong bad guy, Lewis is shot into hospital and Murphy is car-bombed into the laboratory of brainbox scientist Dennett Norton (Gary Oldman).
Norton successfully rebuilds him with a huge amount of machinery at the behest of corporate megalomaniac Raymond Sellars, played with twitchy energy by Michael Keaton.RoboCop, as Murphy is now, of course has a family,(Download RoboCop) but his human side interferes with the job of interfering with criminals and needs to be suppressed, leading to inner turmoil for the man of the hour. This is the film’s central failure – for a huge part of the movie we are asked to empathise with Murphy’s struggle to rationalise his family life, his job and the enormous amount of drugs pumped into him to keep him policing like the efficient machine he mostly is, rather than watching him Cop like a Robo.
The script has it that RoboCop’s trademark visor only comes down when he senses a threat. Given that Murphy is in a lab for much of the film, or with his family, or simply struggling with competing emotions, his visor is up most of the time. This is RoboCop without much RoboCop and the schoolboy in me rages at the injustice. Kinnaman as Murphy (rather than as RoboCop) does well enough,(Download RoboCop) though his baby-faced features framed in the un-visored costume don’t exactly exude tough law enforcement. Keaton gurns his way through an entertaining performance, Oldman is in noble Commissioner Gordon mode, while Samuel L. Jackson puts in a remarkable turn as foaming, furious Bill O’Reilly-style TV monster Pat Novak. More screen time for Williams, and Jackie Earle Haley as chief henchman of the evil corporation OCP, would have helped the movie.
Abbie Cornish as RoboCop’s wife is treated by the script much as you would expect RoboCop’s wife to be, and has little option but to tearfully implore various people for fair treatment throughout. While the cast hold up their end admirably, the updated script is filled with more holes than a non-robotic Detroit police officer. That city itself is one problem – in 1987 Detroit was doing well,(Download RoboCop) but given the current bankruptcy of Motor City it’s tricky to imagine the world’s most state-of-the-art technology will find its way to Michigan any time in the next century. Similarly, given everything in the updated movie is so fancy and high-tech, are you honestly telling me they can build something that runs and jumps with the grace of Sonny from I, Robot, but they can’t get rid of the bloody hydraulic robot noises it makes? You know, I reckon the crooks might just hear him coming.
The original had a few classic lines, and “Thank you for your co-operation” is lovingly retained here. But why on earth would you replace the tension-building “You have 20 seconds to comply” with the limp “You have two seconds to decide”? I’d wager they could have shaved 18 seconds off somewhere to make it work.(Download RoboCop) As a treat, watch this movie then immediately return to the 1987 version, to see how crazy and original the previous movie now seems with hindsight. Whatever you do, don’t watch the original and then this, as the blatant cynicism and avarice from studio executives looking to save a few bucks on coming up with original stories could put you off these blasted remakes for good.
The new RoboCop is a lot like the old RoboCop in that a lot of people are shot and killed. Whereas the 1987 film conducted its business with a sly,(Download RoboCop) dark sense of humor and an ear for social commentary, this 2014 remake (or is it reboot?) plays everything with a poker face. Its idea of commentary is an O’Reilly Factor-style show (hosted by a spirited Samuel L. Jackson) where “debate” happens. Aside from a few throwaway jokes, there’s no humor to be found and the result is a generic, factory-sealed action film that is actually more interesting before Alex Murphy makes his transformation to RoboCop.
The core story is very similar to the original. The time is 2028 and Detective Alex Murphy (Kinnaman) is critically injured by a car bomb set off in his drive way. He had been investigating possible police corruption within his department, and his only hope for a “normal” life is in the hands of OmniCorp.(Download RoboCop) They’re a multinational conglomerate that has created a line of all-robot police operatives, thus removing the need for our flesh and blood to be in danger in the line of duty. The product hasn’t tested well with Americans, who still prefer a human with a conscience making the decision to pull the trigger. Omnicorp sees an opening in Murphy’s case: take the remains of the man and create and part robot, part human version of their product.
For being billed as a non-stop action extravaganza, Joshua Zetumer’s script is very talky and it takes nearly an hour for Murphy’s conversion to RoboCop to take place. There is much grousing about the morality and stakes of doing such a thing, but it’s all thrown to the gutter once the action kicks in. Brazilian director José Padilha, making his Hollywood debut, shoots it all with maximum shaky cam and rapid-fire edits. A shootout that takes place in a pitch-black warehouse could have been from a different film for all I know. Most troubling is the lack of anything resembling an imposing villain. Kurtwood Smith’s Clarence Boddicker was one mean bastard in the original.(Download RoboCop) Michael Keaton plays Omnicorp’s Raymond Sellars as more of an energetic opportunist than a true threat. Gary Oldman does what he can with the under-cooked role of the scientist behind RoboCop’s technology, but spends most of the film in various degrees of yelling. Joel Kinnaman, as RoboCop, turns in a nice performance, ranging from a confident police officer and loving family man to heartless robot as well as one can.
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Remaking RoboCop was never going to be an easy task, and if you’re going to take the name of the original you’re going to get compared.(Download RoboCop) It continues to amaze that so many remakes and reboots abandon what made their original counterparts so memorable (the edgy satire and black humor, in this case) and instead play everything so deadly serious. Manufacturing wholesale violence on the screen is not difficult. Creatively presenting it and putting meaning behind it is. That’s where the film falls critically short, and why it will forever be referenced in the shadow of its source.
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